Version 2

Exhibition view of Sunday on Monday 2017, a monochromatic wall-mounted architectural assemblage of transparent interlocking discs featuring paper pulp fibres as the very heartbeat of the artwork, upturning conventional notions of paper, a material often sidelined as a mere receiving surface for mark-making into the very subject matter and  medium for painting itself. 

STPI | Sunday on Monday - Immaculate Series 2017 | Architectural Assemblage of Paper Pulp Paintings | Private Collection

Wall Assemblage | Dimensions varible | paper pulp fibres, acrylic discs | Photo: Courtesy of STPI


     © Suzann Victor 2020